A lovely deliverance of a debut, the writing quietly sure, the course of true love meandering through its pages, as untidy...

BUDDY COOPER FINDS A WAY

Though tethered to the rude vicissitudes of everyday life, this fine, sly first novel also boasts a sweet, intoxicating buffer of magic and apocalypse.

The story opens with Buddy, a made-for-TV wrestler, on the skids and headed for the edge. Our boy is just barely keeping it together with pills and beer and memories. Four years ago, Buddy’s wife Alix left him, taking his much-loved daughter to go live with the director of a movie company that had come to their hometown, Wilmington, North Carolina. Since then, Buddy has gone from wrestling hero to fall guy. Deliberately losing hundreds of bouts in a row suitably reflects his rather crummy life and his oddball company of friends. Connelly draws this sidewise and impermanent world with a lighter-than-air hand, delineating a fragile existence shattered when a loony fan from the dark side of professional show wrestling shoots Buddy and a number of his ring cohorts. As Buddy seeks recovery, redemption, and reunion, Connelly keeps the action off-kilter. Buddy will meet his double, who tenders sound advice on more than one occasion; there will be a miracle (right out of Amal and the Night Visitors); one of Buddy’s homeless chums will discover the beauty of Svobodian utopianism; Buddy will fake amnesia in a ruse to win back his wife. The nimble prose has plenty of momentum; this is a story of winning back love, and readers will be pulling for Buddy. The plot backdrop—a Texas-sized asteroid headed toward Mother Earth—is, believe it or not, unobtrusive: Connelly’s magicalism is modest enough to register without a blink, and the apocalypse is more aura than menace, trivial in comparison to the cataclysm that is Buddy’s daily grind.

A lovely deliverance of a debut, the writing quietly sure, the course of true love meandering through its pages, as untidy as a construction site.

Pub Date: July 5, 2004

ISBN: 0-7432-4664-0

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2004

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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