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CINNAMON

Although the story may not make complete sense in our world, children will rejoice that everything comes together to make...

“Cinnamon was a princess, a long time ago, in a small hot country where everything was very old.”

Written in 1995, this story has been available only on the author’s website or as part of The Neil Gaiman Audio Collection (2004). Now the tale of the sightless princess and the mysterious talking tiger is a picture book with graceful and vibrant illustrations by Srinivasan. Cinnamon has beautiful pearl eyes, is blind, and does not talk. Many try to teach her to speak, lured by the rewards offered by her parents, the rajah and the rani, but no one succeeds until the talking tiger arrives. “He was huge and fierce, a nightmare in black and orange, and he moved like a god through the world, which is how tigers move.” The tiger awakes in Cinnamon the crucial emotions of pain, fear, and love, and he tells her of the beauty of the world beyond—and finally Cinnamon finds that she has something to say. With turbans, jewels, and elephants in intense, matte colors, the detailed, authentically South Asian illustrations transport readers to the fantastical setting of this inexplicable story. With the rani’s crabby old aunt, the limerick-spouting parrot, and nods to British authors both famous (Rudyard Kipling, Edward Lear) and obscure (William Cosmo Monkhouse), this story balances the odd and the whimsical, the bizarre and the beautiful.

Although the story may not make complete sense in our world, children will rejoice that everything comes together to make the princess happy in the end. (Picture book. 4-8)

Pub Date: May 2, 2017

ISBN: 978-0-06-239961-8

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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SNOW PLACE LIKE HOME

From the Diary of an Ice Princess series

A jam-packed opener sure to satisfy lovers of the princess genre.

Ice princess Lina must navigate family and school in this early chapter read.

The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.

A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)

Pub Date: June 25, 2019

ISBN: 978-1-338-35393-8

Page Count: 128

Publisher: Scholastic

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: April 15, 2019

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THE TEMPEST

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.

Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.

Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)

Pub Date: April 7, 2020

ISBN: 978-1-5362-1144-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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