If this book isn’t quite a masterpiece, it’s certainly a treasure, and that’s more than enough.
Is it fair to expect a masterpiece when Gaiman and Riddell work together? Probably.
The two men have collaborated on a number of books published in the U.K., to great success. The illustrations in Fortunately, the Milk are a marvel of draftsmanship, and Coraline and The Graveyard Book are considered classics. Other artists illustrated the books in the U.S., quite beautifully, but the British editions are objects of envy for many fans. This new collaboration is a spectacular art object. Almost every page is decorated with gold leaf. Even the page numbers have gold filigree. The story combines two fairy tales, and it contains two startling ideas. Snow White, after years in a sleeping spell, might not be affected by the enchantment placed on Sleeping Beauty. And, more important, after her adventures in the woods, Snow White might find sitting on a throne as dull as lying in a glass coffin. The villainess, unfortunately, distracts from those ideas. She’s just another sorceress in a fantasy book, one in a long line of evildoers who want youth and power—but this is a fairy tale, after all. The gorgeous, art nouveau–inspired black-and-white drawings, many of which seem to consciously echo such divergent talents as Arthur Rackham and Robert Lawson, however, are magnificent, and a few sentences describing sleepwalkers who speak in unison may haunt readers for years.
If this book isn’t quite a masterpiece, it’s certainly a treasure, and that’s more than enough. (Fairy tale. 11-18)Pub Date: Sept. 22, 2015
ISBN: 978-0-06-239824-6
Page Count: 64
Publisher: Harper/HarperCollins
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)
This hefty sequel to Six of Crows (2015) brings high-tension conclusions to the many intertwined intrigues of Ketterdam.
It's time for revenge—has been ever since old-before-his-time crook Kaz and his friends were double-crossed by the merchant princes of Ketterdam, an early-industrial Amsterdam-like fantasy city filled to the brim with crime and corruption. Disabled, infuriated, and perpetually scheming Kaz, the light-skinned teen mastermind, coordinates the efforts to rescue Inej. Though Kaz is loath to admit weakness, Inej is his, for he can't bear any harm come to the knife-wielding, brown-skinned Suli acrobat. Their team is rounded out by Wylan, a light-skinned chemist and musician whose merchant father tried to have him murdered and who can't read due to a print disability; Wylan's brown-skinned biracial boyfriend, Jesper, a flirtatious gambler with ADHD; Nina, the pale brunette Grisha witch and recovering addict from Russia-like Ravka; Matthias, Nina's national enemy and great love, a big, white, blond drüskelle warrior from the cold northern lands; and Kuwei, the rescued Shu boy everyone wants to kidnap. Can these kids rescue everyone who needs rescuing in Ketterdam's vile political swamp? This is dark and violent—one notable scene features a parade of teens armed with revolvers, rifles, pistols, explosives, and flash bombs—but gut-wrenchingly genuine. Astonishingly, Bardugo keeps all these balls in the air over the 500-plus pages of narrative.
How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)Pub Date: Sept. 27, 2016
ISBN: 978-1-62779-213-4
Page Count: 560
Publisher: Henry Holt
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Thrilling, timely, and terrific.
Tragedy and heroism interweave in a story about revolution, resistance, and beautiful queer love.
After the devastating ending to We Set the Dark on Fire (2019), Carmen Santos, no longer the Segunda to Mateo Garcia, Medio’s most powerful heir, is on the run toward the La Voz headquarters. Carmen used to be one of the resistance’s most well-respected members, but after years away on undercover assignment, she finds the fabled El Buitre’s wavering leadership has taken a new, hazardous direction. Proving that her allegiance to the cause remains as strong as ever is more difficult than expected, her heart torn between her beliefs and Dani, the girl she has fallen in love with but doesn’t know yet if she can fully trust. Shifting perspective and setting to Carmen and the La Voz camp (after the first novel centered Dani and the capital) is a bold choice that ultimately pans out as readers are rewarded with Carmen’s strong, determined voice and Mejia’s lush writing depicting the complexities of the ongoing fight against oppression in a divided, Latinx-inspired world. Carmen’s divided heart rings true, her daring actions meeting deadly consequences that realistically intensify the narrative without losing track of what the fight is all about: equality for all. A second—and final—volume that not only surpasses the accomplishments of its celebrated predecessor, but takes it to a higher, brighter level.
Thrilling, timely, and terrific. (Fantasy. 14-18)Pub Date: Feb. 25, 2020
ISBN: 978-0-06-269134-7
Page Count: 400
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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