A compelling addition to an impressive fantasy series with a strong heroine.
McGarry and Ravipinto (The Fall of Ventaris, 2013, etc.) return to the turbulent city of Rodaas in this third installment of a series.
In gang- and guild-dominated Rodaas, affiliation means everything. Wearing the cloak of the Grey Highway—a society of thieves with influence in all corners of the fantastic city—is perhaps the most desirable association of them all. So thinks Darley, the privileged aristocrat’s daughter, who approaches Grey member Duchess in an attempt to gain an invitation to the order. Darley knows of Duchess’ past—that she, too, was the daughter of an aristocrat, though she has turned her back on that life—and hopes to use their former acquaintance to bend Duchess to her will. Duchess has her own plans, though. Darley’s connections to the city’s scholars may be of benefit to Duchess’ work as well as provide some insight into the recurring dreams from which she has been suffering. But why, wonders Duchess, does a particular scholar, Cecilia Payne—the only female one in the city—want to meet with her? And what is the origin of these rumors swirling through the streets that Duchess is a murderer for hire? Tensions are building in Rodaas: the city’s cults are on the verge of an all-out war, and the empress’ control of the throne is not assured. In a place where so much is based on hearsay and anecdote, Duchess must be very careful what she says—and what she allows to be said about her. “Each is a story,” her mentor warns her while discussing whispered rumors that affected two powerful men. “Each has a tale behind it. Sometimes we know them, and sometimes we only wish we did.” In Rodaas, McGarry and Ravipinto have created a world of profound complexity and intrigue (At one point, Duchess recalls: “Someone once told me of a theory that Rodaas passes through periods of long stagnation punctuated by spasms of change, sometimes violent change”). Readers unfamiliar with the earlier works in the Grey City series will likely feel over their heads, as the nuances of the various castes and factions are deep and difficult to suss out. Those willing to commit themselves to the installments, however, will find their investment paying dividends. This third volume of Duchess’ story is the most knotty, absorbing, and satisfying yet.
A compelling addition to an impressive fantasy series with a strong heroine.Pub Date: Oct. 4, 2016
ISBN: 978-0-9850149-2-6
Page Count: 528
Publisher: Peccable Productions
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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