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The Ruling Mask

From the The Grey City series , Vol. 3

A compelling addition to an impressive fantasy series with a strong heroine.

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McGarry and Ravipinto (The Fall of Ventaris, 2013, etc.) return to the turbulent city of Rodaas in this third installment of a series.

In gang- and guild-dominated Rodaas, affiliation means everything. Wearing the cloak of the Grey Highway—a society of thieves with influence in all corners of the fantastic city—is perhaps the most desirable association of them all. So thinks Darley, the privileged aristocrat’s daughter, who approaches Grey member Duchess in an attempt to gain an invitation to the order. Darley knows of Duchess’ past—that she, too, was the daughter of an aristocrat, though she has turned her back on that life—and hopes to use their former acquaintance to bend Duchess to her will. Duchess has her own plans, though. Darley’s connections to the city’s scholars may be of benefit to Duchess’ work as well as provide some insight into the recurring dreams from which she has been suffering. But why, wonders Duchess, does a particular scholar, Cecilia Payne—the only female one in the city—want to meet with her? And what is the origin of these rumors swirling through the streets that Duchess is a murderer for hire? Tensions are building in Rodaas: the city’s cults are on the verge of an all-out war, and the empress’ control of the throne is not assured. In a place where so much is based on hearsay and anecdote, Duchess must be very careful what she says—and what she allows to be said about her. “Each is a story,” her mentor warns her while discussing whispered rumors that affected two powerful men. “Each has a tale behind it. Sometimes we know them, and sometimes we only wish we did.” In Rodaas, McGarry and Ravipinto have created a world of profound complexity and intrigue (At one point, Duchess recalls: “Someone once told me of a theory that Rodaas passes through periods of long stagnation punctuated by spasms of change, sometimes violent change”). Readers unfamiliar with the earlier works in the Grey City series will likely feel over their heads, as the nuances of the various castes and factions are deep and difficult to suss out. Those willing to commit themselves to the installments, however, will find their investment paying dividends. This third volume of Duchess’ story is the most knotty, absorbing, and satisfying yet.

A compelling addition to an impressive fantasy series with a strong heroine.

Pub Date: Oct. 4, 2016

ISBN: 978-0-9850149-2-6

Page Count: 528

Publisher: Peccable Productions

Review Posted Online: Nov. 22, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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