A thrilling story of thievery and self-discovery.

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THE FALL OF VENTARIS

BOOK TWO OF THE GREY CITY

In the second installment of McGarry and Ravipinto’s (Duchess of the Shallows, 2012) fantasy series, a young woman seeks to find balance between her past life as a scholar’s daughter and her new life as a rising star among criminals.

Newly accepted into the Grey, a secret society of thieves, Duchess strikes up a business partnership with Jana, a singularly gifted weaver. Jana has been forced to work on the outskirts of town after being denied entry into the weavers’ guild due to her race, class and outsider status. Duchess is certain that with Jana’s skills and her own connections and unorthodox business savvy, they can build a profitable partnership—but only if Duchess’ calculated scheme to secure Jana’s admittance into the guild is successful. Meanwhile, she also wants to employ the bodyguard services of Pollux, the empress’s former servant and lover, who’s incarcerated for acknowledging his parentage of the empress’ son. As part of an elaborate and hazardous scheme, Duchess plans to break Pollux out of jail by faking his death. As she pursues her plans, Duchess makes a few new enemies along the way. She’s also confronted with the past she left behind as  the daughter of the late hero and scholar Marcus Kell, as she forms a reluctant acquaintance with Darley, a long-forgotten childhood rival and the daughter of her father’s best friend. As she uncovers secrets of days gone by, she feels torn between her well-established life as a cunning thief and clever businesswoman and the very different life she might have had. Readers unfamiliar with the series’ first book may find some details of the world’s social structure to be unclear, but the intricately plotted schemes stand alone in most other respects, and newcomers will likely find them easy to follow. The authors, through their powerful portrayals of strong-willed characters, skillfully examine and confront issues of race, class, gender and sexual orientation in a way that’s rarely, if ever, done in medieval fantasy. In a manner that’s both modern and timeless, they examine the ways that strong women forego niceties to fight for the respect so easily granted to men. Overall, the novel is an engaging account of a young woman’s quest to succeed because of her outsider status, rather than in spite of it.

A thrilling story of thievery and self-discovery.

Pub Date: Sept. 21, 2013

ISBN: 978-0985014919

Page Count: 442

Publisher: Peccable Productions

Review Posted Online: Sept. 27, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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