From one of rock’s most revered drummers, ruminations on motorcycling, drumming, the joys of fatherhood and the exquisite pleasure of simply enjoying the journey.
As the lyricist for Canadian progressive hard-rock trio Rush, Peart’s (Roadshow: Landscape with Drums: A Concert Tour by Motorcycle, 2007) inimitable way with words is well-known to the band’s fan base, if occasionally derided by music critics. What many may not know, however, is that the self-described “left-leaning libertarian” is equally adept at translating his philosophy into prose, as evidenced by this book, in which he continues to chronicle his unique method of getting to work—eschewing the company of his band mates in favor of motorcycling between concert venues—as a means of exploring the world around him and his place within it. Despite having experienced tremendous tragedy in recent years (including the deaths of his daughter and first wife), the author evinces such tremendous joy in discovering new off-the-beaten-paths, relishing a second chance at fatherhood, and in the simple act of learning, that it’s easy to forgive some of his more awkward attempts at humor—even those missteps tend to come off as oddly endearing, conveying a rare and unselfconscious genuineness. Perhaps the book’s best and moist poignant chapter is “The Best February Ever,” in which the author describes the bucolic setting surrounding his sanctuary in Quebec. His description of nights spent alone sipping Macallan before a roaring fire while losing himself in great books and days spent cross-country skiing over an unbroken winter landscape while focusing on simply appreciating the heart-breaking majesty of the world around him will instantly transport readers to a more relaxed state of mind—and quite possibly drive hordes of peace seekers northward. Not without potholes, but a ride well worth taking for those who seek the journey more than the destination.
Pub Date: May 1, 2011
ISBN: 978-1-77041-058-9
Page Count: 260
Publisher: ECW Press
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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