Far less scandalous than “rock drummer writes book” might suggest but far more interesting, too.
Recent Rock and Roll Hall of Fame inductee and Rush lyricist/drummer extraordinaire returns with another collection of essays about life on the road, the pleasures (and perils) of the journey and lessons learned along the way.
In continuing to chronicle his unique way of getting to “work”—that is, motorcycling between concert venues while his band mates, or the “Guys at Work,” travel by more conventional means—Peart (Far and Away: A Prize Every Time, 2011, etc.) serves up both a chronological and thematic sequel to his last collection. Originally published on the author’s website, these essays are very much intended for a core audience of Rush/Peart fans, though references to the band’s music and performances are less prevalent than might be assumed. Instead, the focus is on roads less traveled—primarily physically but also metaphorically—and the challenges and benefits of pursuing such paths, whether on a motorcycle or intellectually. As the author is fond of saying, “The best roads are the ones no one travels unless they live on them,” and he makes it his business to seek them out whether he’s traveling through the American Southwest, Canada or Eastern Europe. With the assistance of his riding companions/longtime friends/security detail, Michael and Brutus, Peart peppers the text with a series of photos that frequently show him riding off on his two-wheeled steed into parts un(der)explored. The author’s flair for mixing in local color, historical anecdotes and personal philosophy keeps pages turning even when the formulaic nature of the entries becomes repetitive. His sense of humor, by turns sophomoric and sophisticated, may induce occasional groans, but it’s a small price to pay to experience the sheer joy Peart takes in life and his passion for sharing it with others.
Far less scandalous than “rock drummer writes book” might suggest but far more interesting, too.Pub Date: Oct. 14, 2014
ISBN: 978-1770412576
Page Count: 312
Publisher: ECW Press
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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