An entertaining, thought-provoking fantasy in which a plainspoken protagonist is enlisted in a war.
This second installment of a religious thriller series stars a humble cobbler.
Gordon’s (The Cobbler’s Tale, 2018) novel continues the story of the legendary tzaddik, a group of 36 pious and supernaturally gifted Jews who always exist in the world in a kind of mystical balance with their evil counterparts, the rasha. Moshe the cobbler, a humorous and unassuming worker in New York, is a tzaddik, the son of a man named Pincus Potasznik, who founded a secret group called the Landsman Society of Krzywcza. For years, New York City Councilman Arnold Lieberman has been searching for the son of Pincus in order to recruit him in the age-old fight against the rasha, here in the form of a Bronx-based Jewish gangster named Solomon Blass and his ruthless son, Myron. Only a teenager in the first book, Moshe is now 60 years old and decidedly nonheroic in his daily routine. But Lieberman is persistent, and soon Moshe is embroiled in a battle that sprawls over the real world and the dream realm. Gordon writes all of this in a smoothly controlled narrative that’s equally adept at both the small, personal details—each main character is well shaped and the bad guys are every bit as three-dimensional as the good guys—and the larger philosophical tapestry inscribed with the minutiae of the cabala. “In order to connect with the Light, we must learn how to face the Opposition, the source of life’s challenges,” readers are told at one point. “The uninitiated at first cringe at this term. However in order to achieve authentic spiritual growth, the Opposition must not be feared, instead it must be accepted as a blessing from the Creator.” Throughout the enjoyable sequel, the author playfully overlays the quotidian New York reality onto a dramatic supernatural backdrop whose existence most ordinary people never suspect. This second volume can easily be read independent of the first.
An entertaining, thought-provoking fantasy in which a plainspoken protagonist is enlisted in a war.Pub Date: Aug. 29, 2019
ISBN: 978-1-73266-779-2
Page Count: 362
Publisher: Out Reach Books
Review Posted Online: Nov. 29, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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