Gonzo interviewing at its best.
Veteran pop-culture journalist Strauss (Emergency: This Book Will Save Your Life, 2009, etc.) offers an eclectic collection of interviews with the “artists, celebrities, and crazy people of the world.”
By his own count, the author has conducted some 3,000 interviews with the famous, not-so-famous, used-to-be-famous and ought-to-be-famous denizens of popular culture. Here he brings together the best of these interviews in loosely and at times bizarrely connected chapters. All the well-knowns are here, including Madonna, Lady Gaga, David Bowie, The Who, Kenny G, Led Zeppelin, Puffy Combs and Bo Diddley. The author also includes many lesser-known artists, such as the master mandolin player Johnny Staats, who still drives a UPS truck, and the pioneering electronic-music artist Patrick Miller, who was taken early by drugs—as are too many of the subjects here. Known or unknown, they all have something to say. The subject is not always clear, as Strauss often introduces an interview, drops it and returns to it many pages later, but that is part of the fun of his anarchic presentation. Bruce Springsteen is typically modest, noting that one of the main motivations of his music is “to try to be useful.” Chuck Berry is open, funny and scatological. Johnny Cash and Loretta Lynn are achingly poignant as they speak of death and courage. Mötley Crüe gets arrested. And so it goes with hundreds of other interviews. In a concluding tribute to the late critic Paul Nelson, Strauss wonders if such obsession with pop culture is worth it. He concludes that it is, if only to allow us to reflect on our own faults and follies and on what we have and think we want.
Gonzo interviewing at its best.Pub Date: March 15, 2011
ISBN: 978-0-06-154367-8
Page Count: 560
Publisher: It Books/HarperCollins
Review Posted Online: Feb. 23, 2011
Kirkus Reviews Issue: Jan. 15, 2011
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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