A spirited chronicle of transformation and personal triumph.

READ REVIEW

OLD IN ART SCHOOL

A MEMOIR OF STARTING OVER

A noted historian tells about her daring career move to become an artist.

At the age of 64, Painter (American History, Emerita, Princeton Univ.; The History of White People, 2010, etc.), president of the prestigious Organization of American Historians, former director of the Association of Black Women Historians, and author of seven books, enrolled as an undergraduate at Mason Gross School of the Arts of Rutgers University. In a candid, captivating memoir, the author recounts her experiences at Rutgers and in a Master of Fine Arts Program at the Rhode Island School of Design, which raised for her salient questions about identity, creativity, ageism, and racism. Some teachers proclaimed that she would never become an Artist because she “lacked an essential component, some ineffable inner quality.” Although as a professor she believed heartily that skills could be learned through seriousness, persistence, discipline, and hard work, she felt her teachers’ condemnation “piercing my student’s psyche,” causing her to question her ability and the quality of her work. Often discouraged, still she defiantly pursued two goals: “to make work that engaged the eye” and to celebrate, in portraits, her “intellectual women friends.” One teacher dismissed her second goal as mere “illustration.” As to the first, she discovered throughout her art education the vagaries of criteria used to assess quality. During her first year at RISD, she felt reduced to a “pathetic, insecure little stump,” unsure whether her teachers and classmates “were critiquing me, old-black-woman-totally-out-of-place, or critiquing my work, which was not good enough.” Painter admits having felt like a misfit in art school, which leads her to reflect about ageism and racism (both rampant in the rarefied art world). Awarded studio residencies, including an artist-scholar residency at Yale, she proved her worth. The author offers perceptive insights about the meaning of art: the difference between thinking like a historian and an artist; the “contented concentration” she feels when making art; and the works of many black artists.

A spirited chronicle of transformation and personal triumph.

Pub Date: June 19, 2018

ISBN: 978-1-64009-061-3

Page Count: 320

Publisher: Counterpoint

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

Did you like this book?

No Comments Yet

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

OPEN BOOK

The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

Did you like this book?

more