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SOJOURNER TRUTH

A LIFE, A SYMBOL

No one seriously interested in Sojourner Truth can afford to ignore this book.

A successful effort to separate a human being from the familiar "Strong Black Woman'' symbol she has become.

A powerful speaker who moved audiences to laughter even as she delivered harsh truths about slavery and discrimination, Sojourner Truth has in Painter (Standing at Armageddon, 1987, etc.) a congenial biographer whose work is as readable as it is scholarly. Information on Truth is frustratingly incomplete, but Painter shines when striving to separate facts from myths and assemble those facts into a reasonable whole. A slave in upstate New York until 1827, Truth gained from her intense involvement with Methodism a sense of self- worth as well as an opportunity to speak publicly at religious camp meetings around New York City. Following a curious period of attachment to the self-styled Prophet Matthias (to whom she gave her devotion and all her money), Truth joined a Massachusetts cooperative community, where she met some of her future antislavery contacts. Central to the story of her growing celebrity is, of course, the 1851 Ohio Women's Rights Convention, where, Painter convincingly argues, Truth made an effective speech—but not the expanded "ar'n't I a woman'' showstopper printed 12 years later by Frances Dana Gage. Likewise punctured are embellished accounts of Truth's meeting with Abraham Lincoln and Harriet Beecher Stowe's largely fanciful Atlantic Monthly sketch of Truth, early examples of how various people (including, in this century, academics) craft "a usable Sojourner Truth of their own,'' emphasizing whatever they need her to be: slave, black, female, radical, or quaint. In this account, Truth is shrewd but angry, calling, Painter says, for revenge on " `white people'- -not `slaveholders' or `white southerners,' or any narrower subset of the guilty.'' That being so, one wishes Painter had contemplated more fully what this means coming from a woman who seems to have had an abundance of enduring white contacts but fewer blacks ones.

No one seriously interested in Sojourner Truth can afford to ignore this book.

Pub Date: Sept. 1, 1996

ISBN: 0-393-02739-2

Page Count: 448

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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