Social satire with a sharp wit and a big heart.
A rich, rewarding tale of love, rebirth, and chewing tobacco from the author of Mislaid (2015) and The Wallcreeper (2014).
When we first meet Penny, she’s 12, naked, and smoking a cigarette in her father’s sweat lodge in upstate New York. Eleven years later, she’s an unemployed business school graduate sitting in her dying father’s New Jersey hospital room. This loss devastates Penny in all the usual ways, and Zink’s depictions of grief and—especially—the strange state of waiting for someone to die are honest and real and occasionally lovely. In one especially heartbreaking scene, Penny realizes that, the closer he gets to death, the less she and Norm have in common. But then: “The strength and courage they desire—and lack, both of them—are the strength and courage never to see each other again. Fear is something they have in common.” This level of self-awareness is one of Penny’s finest qualities as a protagonist. The daughter of a Jewish shamanistic healer and an indigenous Colombian orphan, Penny knows she’s unusual. But she also accepts that being unusual isn’t all that strange, which is why she finds a new family when she sets out to reclaim her father’s ancestral home in Jersey City. Thrown together by the marginalization of tobacco users, the residents of Nicotine—the squat occupying the house where Norm grew up—are outré outsiders even in the outsider realm of activists and agitators. Penny is immediately smitten with the very cute and avowedly asexual Rob. When Penny’s sociopathic half brother, Matt, becomes obsessed with another occupant—a polyamorous Kurdish poet named Jazz—they form an untenable tangle of relationships that can only end in destruction. The resulting disaster is spellbinding, but even the quiet moments here are delightful because Zink does such an incredible job of depicting weirdos as real, smart, vulnerable, complicated people.
Social satire with a sharp wit and a big heart.Pub Date: Oct. 4, 2016
ISBN: 9780062441706
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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