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RICHMOND BURNING

THE LAST DAYS OF THE CONFEDERATE CAPITAL

An able balance of scholarly precision and readability.

An absorbing study of the Confederacy’s last hours and a city in ruins.

The Southern secession was no monolithic enterprise, to judge from this account by Virginia historian Lankford (The Last American Aristocrat, 1996). Richmond may have been the capital and nerve center of the Confederacy, but it was crawling with politicians and citizens who despised Jefferson Davis, feckless generals and disgruntled privates, and not a few members of the “Unionist underground,” including a southern belle who “placed one of her free black servants as an agent in Jefferson Davis’s household.” Southern apologists have long suggested that someone from this large group of well-motivated suspects set the ravaging fire that greeted conquering Federal forces in the spring of 1865. Lankford clears up the question definitively: the great fire was set after Davis had fled the city by Confederate soldiers seeking to deny the enemy the last of the rebel army’s supplies, and though it has passed into legend as a monumental catastrophe, it destroyed only some ten percent of the city—enough, however, to provide newspapers with the “pictures of devastation that people in the North craved.” Lankford’s smoke-filled pages are dense with well-chosen anecdotes, such as his portrait of an exasperated Robert E. Lee at Appomattox catching sight of the disgraced General George Pickett and spitting out, “Is that man still with this army?” The author examines and dismisses a few myths along the way, including the why-can’t-we-all-get-along saw that Lee later prayed with an African-American gentleman in a gesture of national healing, an episode evidently invented to hide “differences that cannot be masked by the warm sepia tone cast over our great national trauma by popular books and documentary films.”

An able balance of scholarly precision and readability.

Pub Date: Aug. 5, 2002

ISBN: 0-670-03117-8

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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