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WE WILL BE JAGUARS

A MEMOIR OF MY PEOPLE

An essential memoir of Indigenous resistance to economic subjugation and cultural extinction.

A young woman’s life among her people in the Ecuadorian rainforest, battling the onslaught of bulldozers and oil wells.

It has long been an anthropological desideratum to describe the world from “the native’s point of view.” Nenquimo, a member of the Waorani people of Amazonian Ecuador, does far more: her memoir reveals her world directly through her eyes, albeit as rendered into English by her American husband while taking pains to assure readers that “these are her memories.” Some of those memories are terrible; much of what she has seen, brutal. Her earliest encounter with non-Waorani people is with the earthly representatives of “Wengongi, the white man’s big spirit in the sky,” Christians whom Waorani warriors would once have speared to death but who now accuse the village’s teenage boys of “being influenced by the communists” simply because they are skeptical about an oil company drilling on Waorani land. Against these values are posed a Waorani elder’s assurance that Nenquimo’s ailing brother would grow up to be a brave hunter, acting as an intermediary between the human world and the world of the deceased ancestors, who “roam in these woods” as spirit jaguars. A stint in a missionary school in Quito—”You’re here to become God’s servant. Not another pregnant jungle girl”—doesn’t rid her of carefully guarded beliefs in the old ways. On returning to discover that her village is being besieged by invaders—foresters, cattlemen, and especially all-destructive oil companies—she becomes a fierce defender of her people, taking their arguments against dispossession up a steep legal ladder to victory: “We had protected a half-million acres of our rainforest. And we had opened a legal pathway, a bright trail, that other Indigenous nations could follow to protect their territories as well.”

An essential memoir of Indigenous resistance to economic subjugation and cultural extinction.

Pub Date: Sept. 17, 2024

ISBN: 9781419763779

Page Count: 368

Publisher: Abrams

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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  • New York Times Bestseller

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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  • New York Times Bestseller

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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