by Nevil Shute ‧ RELEASE DATE: Jan. 31, 1950
Another straw in the wind suggesting a new trend in novels of spiritual import. Leslie Greener's No Time To Look Back (Viking) —published last Spring — was a significant and moving novel in this genre. Now comes the new Nevil Shute, showing advance in power over a rather fumbling handling of the spiritual impinging on the material in his No High- — almost, in this new book, a successful achievement. In both books, flying plays a vital part; in both, the mechanic is the central figure rather than the pilot. Here he uses the time honored Servant in The House motif. As Tom Cutter tells the story, the reader identifies himself with Cutter recurrently glimpsing divinity in the chief mechanic, half-caste, British-Chinese, more Atlantic than British in his spiritual values. Cutter didn't want to believe his friend and associate in the burgeoning commercial flying venture in the Persian Gulf area was anything but human. But he knew that his spiritual message to the mechanics in the air strips all through the East had made better men as well as better craftsmen of them all. He knew that the man himself was looked upon as Prophet and Teacher, by Buddhists, Muslims, Hindoos, and those countless fringe religions of the East. He knew that through him taboos of race and creed were being overcome. He knew the legend was growing, though the man himself did not seek it. He knew that the conservative British were afraid — and he moved Shaklin on to Bali; then the Dutch, too, became fearful, as planeloads of pilgrims sought his blessing. Finally, when fatal illness belied his divinity, the message he carried still dominated, and with his death the question, though still insoluble, hung in the air — and the legend, with its valued concomitant of worship through skills, grew and strengthened. Perhaps this is Shute's most important book, though not on the level of straight story. At times difficult, at times technical, at times distasteful to those who pigeonhole religion as apart from daily life- there is nonetheless that emphasis on seeking spiritual values which is a trend in modern fiction not to be overlooked.
Pub Date: Jan. 31, 1950
ISBN: 1741211557
Page Count: 435
Publisher: Morrow/HarperCollins
Review Posted Online: April 10, 2012
Kirkus Reviews Issue: Jan. 1, 1950
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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