Timely if flat euthanasia novel from Delbanco, head of the University of Michigan's writing program and author, mostly recently, of The Writers' Trade (1989). Weird things are going on in Lakeview, Michigan. Peter Julius, a young physician whose wife has recently died after a long and painful battle with cancer, has been put in charge of the Harley Andrews Hospice, a home for the terminally ill. Although the hospice is a charitable endeavor, endowed by a local millionaire, the notoriety surrounding that other Michigander, Dr. Kevorkian, has put it in the public eye. No one who enters as a patient comes out through the front door, and while this is not exactly a surprise, ugly rumors of pulled plugs and empty syringes start to circulate in town. When Rebecca Forsythe, the Derek Humphrey-like author of Death's Kingdom (a proeuthanasia tract), comes to the hospice to give a seminar on current medical approaches to death, even the staff begins to wonder: Has healing become synonymous with killing? Benefactor Harley Andrews himself has a bad heart and makes no secret either of his wish for a quick end or his fear that a low turnover rate will bankrupt the hospice. There are strange, anonymous letters to the editor of the local paper from a fundamentalist Christian who warns of "abominations" in town; an unhappy affair between Peter and Rebecca; a nurse who falls in love with an AIDS patient (who dies more quickly than anyone expects)—but all of it adds up not so much to a mystery as an essay, or an editorial. Delbanco is so leisurely in his narration that the climax comes as a surprise—not in how it falls together, but that it even takes place. The motive behind this work—i.e., how our understanding of health, life, and death is changing—is too strong for the story it's enclosed in, and ends by smothering it. Strangely dry and academic: more an exercise than a novel.
Pub Date: Sept. 12, 1995
ISBN: 0-446-51711-9
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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