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CAUCASUS

IN THE WAKE OF WARRIORS

Lively, thoughtful, and a big help in elucidating bewildering struggles in faraway mountains.

A satisfying blend of history and travel memoir, set in the tortured, contested landscapes of the Caucasus Mountains.

English novelist Griffin (The House of Sight and Shadow, 2001, etc.) is a devotee of such wild places as Chechnya, Armenia, and Georgia. Why he is attracted to these venues we never quite learn, but his quest has an interesting basis: Griffin travels into the Caucasus to try to “measure the effect one man can have on his region’s history 150 years after his death,” the man in question being the anti-Russian cleric and political leader Imam Shamil, who made life difficult for the Tsar’s empire-builders and provides inspiration for nationalists today. That quest provides a useful thread to hold together this sometimes madcap narrative as Griffin travels from one dreary Stalinist-era city, one snow-shrouded mountain pass to another, gauging the memory of Shamil and, more important, the spirit of resistance that holds Chechens, Armenians, Azerbaijanis, and other denizens of the mountains so firm in their hatred of all things Russian save rubles and vodka. There are plenty of reasons for these people to dislike their Russian neighbors. The Muslim Chechens, for instance, were deported en masse into Siberia and Kazakhstan by Stalin, who claimed they were conspiring with the Nazis. They were permitted to return only in 1957, a quarter of their number lost in exile. By the time rebellion flamed into war in 1994, writes Griffin, “Many Russians could not place Chechnya on a map, yet the Chechens had forgotten nothing about Russia.” Today the Russian army is busily destroying every building in the land capable of sheltering a sniper (that is to say, every building in the land). And so it goes, the only thing dividing the Chechens in their unified hatred of Russians being the new class system emerging from the thriving black market—enough, one might think, to scare away the equally tenacious Russians.

Lively, thoughtful, and a big help in elucidating bewildering struggles in faraway mountains.

Pub Date: March 21, 2003

ISBN: 0-312-30853-1

Page Count: 256

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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