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THE TRIALS OF MADAME RESTELL

NINETEENTH-CENTURY AMERICA’S MOST INFAMOUS FEMALE PHYSICIAN AND THE CAMPAIGN TO MAKE ABORTION A CRIME

A richly detailed biography of a defiant woman.

A survey of the early days of anti-abortion activism.

Syrett, a scholar of women’s, gender, and sexuality studies, draws on considerable archival sources to recount the life of British-born Ann Trow Summers Lohman (1812-1878), aka Madame Restell, who became infamous as a women’s health provider. The author examines the social and cultural forces that made her a wealthy celebrity and repeatedly attempted to quash her. Lawmakers, doctors, and vice crusaders sought to limit women’s bodily autonomy and reproductive freedom, and a “nativist outcry” emerged from Americans fearful that allowing abortion for upper- and middle-class married women, thereby limiting the size of their families, would result in a nation overrun with the offspring of fecund immigrants. Abortion foes were also concerned that women who sought to end a pregnancy were rejecting their sacred destiny to be a mother. Furthermore, the American Medical Association was determined to keep women’s bodies firmly under its control. Early in her career, one of Restell’s most energetic detractors was George Washington Dixon, a zealous reporter who published vicious attacks and rejoiced in her arrest in 1841. Public interest in her trial—where her “youth, beauty, black eyes, raven hair, and singular physiognomy” attracted admiring attention—and the 1842 appeal that overturned her conviction, afforded her “enormous amounts of publicity,” which the savvy businesswoman used to her advantage. Throughout her career, she vied with competitors, notably two known as Mrs. Bird and Madame Costello, and she fought accusations of “manslaughter in the second degree for the abortion of a quick child”; of abduction, and of murdering infants. Syrett portrays her as empathetic toward her clients—if less so toward her daughter and brother; strong-willed as she fought against misogyny; and wily in her business dealings. This book is a solid complement to Jennifer Wright’s Madame Restell.

A richly detailed biography of a defiant woman.

Pub Date: Oct. 31, 2023

ISBN: 9781620977453

Page Count: 352

Publisher: The New Press

Review Posted Online: Aug. 9, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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