by Nicholas Mosley ‧ RELEASE DATE: June 3, 1995
An idiosyncratic but morally serious autobiography from noted British novelist and biographer Mosley (Hopeful Monsters, 1991, etc.) that is more a search for meaning in both life and art than a conventional rÇsumÇ of milestones. Mosley claims he wrote the book ``to see the partnership between learning and life, between experience and what is made of life, to see that one never gets to the end of unveiling smokescreens and presuppositions but it is in this attempt that there is a validity of being human.'' His childhood was, to say the least, unusual: His mother, daughter of Raj Viceroy Lord Curzon and an American heiress, died when he was nine, and his father, the notorious British fascist leader, was imprisoned during WW II; but the autobiographer is more intent on fulfilling his promised intellectual agenda. He begins with his youthful, idealistic first marriage in 1947, which also marks the start of his literary life as he writes novels first in the Caribbean, then in Wales, and finally in their country home near London. The couple was independently wealthy, and this lack of financial cares perhaps increased the sense of isolation from the mundane that characterizes Mosley's life and writing. He describes with agonizing scrupulousness his writing projects, his troubling but irresistible infidelities, his religious quest, and his estrangement from and subsequent reconciliation with his father. By middle age he had moved on from formal religion to psychoanalysis and a preoccupation with the patterns that lurk behind the ``smokescreens of [his] memory and verbiage''—ideas that would further evolve in his recent Catastrophe novels. He ends in the present, certain ``that if one trusts, then things may indeed work out in proper, if mysterious, ways.'' Quirky and at times tedious in exposition, but always honest and intellectually provocative. An autobiography that unflinchingly bares both the heart and the soul.
Pub Date: June 3, 1995
ISBN: 1-56478-075-9
Page Count: 288
Publisher: Dalkey Archive
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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