The author continues his successful run of historical fiction with this thought-provoking crime tale.
In this novel set in the early 1900s, one act tragically ruins the lives of two families.
Based on a true story, this work of speculative fiction explores the murder of Ella Maud “Nell” Cropsey, the attractive, 19-year-old standout of a large family of transplanted Northerners in Elizabeth City, North Carolina. After a breakup with Jim Wilcox, her longtime beau, Nell disappears. Some speculate that she ran off to seek her fortune in a large metropolis while others fear that she harmed herself. But after her body pops up in a local river weeks later, suspicion falls on rough-edged Jim. He mistakenly believes his innocence will protect him, oblivious to the lynch-mob mentality festering in his hometown. Jim gets convicted of second-degree murder because of the flaws in the prosecution’s case and is sent to prison for 30 years. But, throughout this process, the victim’s older sister, Olive, nicknamed Ollie, and her stern father, William, share a secret about Nell’s death, which they refuse to divulge even under oath. As a result, Jim is incarcerated for a crime that he never committed, eventually getting a pardon decades into his sentence. His health in decline, Jim stubbornly returns to “Betsy City” to start over. But there is no second act for Jim. Despite people trying to help him, he slips into alcoholism. Just before his death, Ollie tells him the truth, but there is little he can gain from it, save peace of mind. Nicastro’s (The Isle of Stone, 2016, etc.) clever drama centers on three people: spinster Ollie, taciturn patriarch William, and Jim, the man caught in their conspiracy. But another spectral presence throughout is Nell, whose joie de vivre almost succeeds in inspiring the inhibited people around her. There’s a palpable sense of opportunities lost because of her death at such a young age. In this well-researched book, Nicastro cannily reveals just enough about Nell’s death to make readers uneasy until just before the wistful conclusion. Nell is gone, but her death also effectively ends the lives of Jim, Ollie, William, and Mary, the sisters’ long-suffering mother. The author skillfully makes his point that one misdeed produces many victims.
The author continues his successful run of historical fiction with this thought-provoking crime tale.Pub Date: N/A
ISBN: N/A
Page Count: 318
Publisher: Dog Ear Publisher
Review Posted Online: Oct. 4, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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