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TILT

A SKEWED HISTORY OF THE TOWER OF PISA

Comfortably erudite, Shrady covers the tower’s history without diminishing its gratifying improbability. (17 illustrations;...

A slim, top-drawer chronicle of Pisa’s wonderful, drunken campanile.

For more than 800 years, the Romanesque bell tower “has teetered on the brink of oblivion, but neither earthquakes, war, misguided architectural interventions, nor the relentless onslaught of contemporary tourism has ever managed to topple it,” writes Barcelona-based journalist Shrady (Sacred Roads, not reviewed) in this clear-eyed yet delightfully infatuated tribute to the tower. He sings its praises—the lustrous marble, the weightless open galleries: a column of columns—while at the same time sending a few of its myths to the trash bin. It lists, for instance, not because of devious laborers or incompetent craftsmen or God, but because it was built on the shifting ground of a bog; nor is it likely that Galileo ever threw anything more than a gaze from the top of the tower. Still, there are mysteries: Who was the architect, why did construction start and stop and start and stop again and again, and why, with its progressive degrees of inclination—slowly, implacably on the move until it was over five degrees out of plumb—has it not simply gone south? Helping to make sense of this unintentional folly, Shrady situates the campanile within the sublime landscape of the Campo dei Miracoli, with its cathedral, hospital, baptistery, and graveyard, and also within the greater context of Pisa’s rise and fall as a city-state and maritime power. We also meet the many individuals who had a hand in the centuries-long construction of the tower, and the commissions seeking to right the tower’s skew, including Mussolini’s near-disastrous tinkerings (Il Duce hated the tower, making it that much more lovable). And running through the story is the tower’s evolution from civic embarrassment to a source of pride: “this tilting, defiant campanile symbolizes all that is wondrous and strange in a world that is fast losing good measures of both.”

Comfortably erudite, Shrady covers the tower’s history without diminishing its gratifying improbability. (17 illustrations; the book itself will be printed in a slanted format)

Pub Date: Oct. 1, 2003

ISBN: 0-7432-2926-6

Page Count: 192

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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