Just the sort of thing for Sparks buffs.
Love means never having to say you’re dead.
Sparks (The Best of Me, 2011, etc.) fans know the drill: sweetness and light, darkness and despair, kissing and making up. And always, always, intertwining storylines. Got the template? Here, Sparks opens with a grim scene that soon turns as sappy as a maple: Old Ira Levinson (there’s a signal there) has driven off the road in black ice and snow, and now he’s feeling, as he says, “the Grim Reaper tapping my shoulder.” Now, it stands to reason that up there in the Southern highlands, a tow truck is likely to arrive less expeditiously than the nearest friendly ghost, in this case, that of Ira’s beloved wife, Ruth. If you’ve seen that Patrick Swayze/Demi Moore movie, you’ll know how this part works. But Ira isn’t just any old Southern Jew expiring in the cold: He’s had a hobby that’s morphed into a grail. Exit stage right; enter Sophia and Luke. Sophia’s a sorority sweetie with a brawler of a boyfriend whom she’s trying to ditch, and Luke is the cowboy hero who comes loping along to save the day. But let Sparks explain: “The cowboy’s words were clear and slow, as if he were addressing a dimwit.” Indeed. Well, bad boyfriend is conflict No. 1, and Luke’s nerves are conflict No. 2, especially when it comes to a session with the monster bull of his darkest dreams. All that remains to be done is to lasso these two couples together, jerk some tears: “My plea to you is this: despite your sadness, do not forget how happy you have made me; do not forget that I loved a man who loved me in return, and this was the greatest gift I could ever have hoped to receive.” To which, in cowboy-speak, the proper reply is: “Aw, shucks.”
Just the sort of thing for Sparks buffs.Pub Date: Sept. 17, 2013
ISBN: 978-1-4555-2065-7
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Oct. 28, 2013
Kirkus Reviews Issue: Nov. 15, 2013
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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