by Nicholson Baker ‧ RELEASE DATE: July 21, 2020
Readers should be impressed by Baker’s persistence, and most will end up charmed, however obliquely, by his obsessions.
The versatile author of fiction and nonfiction chronicles his “not entirely successful efforts to squeeze germs of truth from the sanitized documentary record of the U.S. government.”
In his latest, Baker, a winner of the National Book Critics Circle Award for Nonfiction, among others, writes about his work from March 9, 2019 through May 19, 2019. During those months, he intensively explored mountains of documents to determine whether the government deployed illegal biological weapons during the Korean War. To search for truth about the biological weapons, Baker sent Freedom of Information Act requests to numerous government agencies, and he received radio silence. The daily diary pings between the flaws in the FIA—a 1966 law meant to encourage transparency by federal agencies—and the substance of what the author gleaned about biological warfare. To lighten a relentlessly downbeat narrative, Baker, ever articulate and witty, also introduces readers to his Maine home, which he shares with his wife and dogs, as well as the local weather, walks in the nearby wilderness, and other elements of his daily life. For readers who care about government openness, the narrative will be simultaneously illuminating and profoundly depressing. Because Congress failed to include enforcement mechanisms other than the possibility of time-consuming, expensive lawsuits, government agencies subject to the FIA violate it with impunity and suffer no penalties as a result. The custodians of the records often treat the documents as personal property rather than information financed, and thus owned, by taxpayers. The leading villains in Baker’s saga, which he aptly describes as “a sort of case study, or diary, or daily meditation, on the pathology of government secrecy,” are the Air Force, Army, and CIA, and his disclosures are rarely banal but rather consistently provocative and disturbing. Using both direct and circumstantial evidence, the author suggests that illegal weapons have been used against North Korea and perhaps against so-called enemy forces in other nations.
Readers should be impressed by Baker’s persistence, and most will end up charmed, however obliquely, by his obsessions.Pub Date: July 21, 2020
ISBN: 978-0-7352-1575-7
Page Count: 464
Publisher: Penguin Press
Review Posted Online: March 3, 2020
Kirkus Reviews Issue: April 1, 2020
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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