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THE EVERLASTING STORY OF NORY

The author of The Fermata (1994), among others, offers an extended dramatic monologue by a nine-year-old American girl living in England, a plotless series of riffs exploring the curiosities of a life among English-speaking foreigners. It’s a promising idea, and Baker, a dedicated miniaturist who got an entire novel (Mezzanine, 1988) out of a trip to buy a pair of shoelaces, ought to have found such a venue congenial. There are dangers, however, that he wasn—t entirely able to avoid.For one thing, tininess is not inevitably interesting,but can seem merely trivial. “Babies learn the words for their feet and toes and fingers quite early,” his nine-year-old Nory observes, “because they can hold them close to their faces, and they learn about their eyes and nose and mouth because they are on their faces, but for some reason they are never terribly interested in their ankles.” This leads into a consideration of how Achilles’ mother dipped him “head-first into the Watersticks,” and, Nory explains, how “she held him by pinching hard on the back part of the foot, above his heel.— If one is delighted by the misprision of “Watersticks” for the Water Styx, and persuaded by the youthful trendiness of such adverbs as “tremendously” and “totally,” then this extended take offers a certain low-level charm. For those with less tolerance for the narrator’s cuteness (or the author’s delight in his own imposture), that charm is likely to wear thin very quickly.And once that happens, the reader will start to notice all the small errors, which in this kind of performance are nearly fatal. Nory remembers her fear of the Tweety monster, which was “just simply a monster version of Tweety-bird in a Sylvester and Tweety tape—Tweety turned into it when he drank a special potion. No reason to be scared of a casual little cartoon.” What, the word —casual— from a nine-year-old? It rings wrong, totally. (Author tour)

Pub Date: May 1, 1998

ISBN: 0-679-43933-1

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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