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THE EVERLASTING STORY OF NORY

The author of The Fermata (1994), among others, offers an extended dramatic monologue by a nine-year-old American girl living in England, a plotless series of riffs exploring the curiosities of a life among English-speaking foreigners. It’s a promising idea, and Baker, a dedicated miniaturist who got an entire novel (Mezzanine, 1988) out of a trip to buy a pair of shoelaces, ought to have found such a venue congenial. There are dangers, however, that he wasn—t entirely able to avoid.For one thing, tininess is not inevitably interesting,but can seem merely trivial. “Babies learn the words for their feet and toes and fingers quite early,” his nine-year-old Nory observes, “because they can hold them close to their faces, and they learn about their eyes and nose and mouth because they are on their faces, but for some reason they are never terribly interested in their ankles.” This leads into a consideration of how Achilles’ mother dipped him “head-first into the Watersticks,” and, Nory explains, how “she held him by pinching hard on the back part of the foot, above his heel.— If one is delighted by the misprision of “Watersticks” for the Water Styx, and persuaded by the youthful trendiness of such adverbs as “tremendously” and “totally,” then this extended take offers a certain low-level charm. For those with less tolerance for the narrator’s cuteness (or the author’s delight in his own imposture), that charm is likely to wear thin very quickly.And once that happens, the reader will start to notice all the small errors, which in this kind of performance are nearly fatal. Nory remembers her fear of the Tweety monster, which was “just simply a monster version of Tweety-bird in a Sylvester and Tweety tape—Tweety turned into it when he drank a special potion. No reason to be scared of a casual little cartoon.” What, the word —casual— from a nine-year-old? It rings wrong, totally. (Author tour)

Pub Date: May 1, 1998

ISBN: 0-679-43933-1

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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