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WILD AND CRAZY GUYS

HOW THE COMEDY MAVERICKS OF THE '80S CHANGED HOLLYWOOD FOREVER

It’s not deep, but fans of Steve Martin, Dan Aykroyd, and their wild-and-crazy ilk will find pleasure here.

Film journalist de Semlyen recounts the migration from TV to film of a once-iconic generation of comedians.

The year 1975 saw the debut of Saturday Night Live, with a cast of gifted, sardonic comedians headed by Chevy Chase and John Belushi, who broke all kinds of rules and regulations every time it turned around. Then came the second season, and Chase departed the show for, as he admitted, “money. Lots of money.” The money flowed, and though Chase would star in far more dogs than winners, the comics who followed his path to Hollywood—Belushi, Bill Murray, John Candy, Steve Martin, and many others—overturned the comic image of the Woody Allen–dominated 1970s (“a wimp in specs”) in favor of the smartass who couldn’t be bothered to follow anyone else’s norms. Perhaps the most canonical of all the characters was Belushi, who perfectly filled the role of John “Bluto” Blutarsky in the 1978 film Animal House. Others established their own characters for better or worse and in between: Eddie Murphy was undeniably brilliant, Chase could barely act, Candy and Martin had hidden depths, but all swallowed up whatever was thrown to them as readily as some swallowed up whatever drug was on the table. The book doesn’t have much of a thesis as such, but it’s full of entertaining revelations: Murray was in the running to play Boon in Animal House; Dan Aykroyd was cerebral, anomic, and straitlaced all at once, so much so that a writer described him as “a cross between a state trooper and an android”; everyone loved The Blues Brothers except for Jerry Garcia; and so on. The book is often overwritten (“Steve Martin, a keen student of Picasso, was experiencing his own Blue Period"), but film buffs are likely to forgive the excesses in exchange for its many anecdotal rewards.

It’s not deep, but fans of Steve Martin, Dan Aykroyd, and their wild-and-crazy ilk will find pleasure here.

Pub Date: May 28, 2019

ISBN: 978-1-984826-64-0

Page Count: 352

Publisher: Crown Archetype

Review Posted Online: May 11, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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