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ANOTHER BULLSHIT NIGHT IN SUCK CITY

A MEMOIR

This is “the book that somehow fell to me, the son, to write,” states the author, describing himself as “my father’s...

A noir family history told in small ladlings—perhaps all the reader may want to absorb at one time, or all the talented Flynn (Some Ether, 2000) can pour at a sitting.

His mother left her husband when the author was four years old. In a snapshot taken in the early 1960s, “I crawl toward my father’s face as we lay on the grass. . . . The father as ship, as vessel, holding the child afloat. But there was a parallel father as well—the drunk, the con, the paranoid. The father as ship, but taking on water, going down.” Flynn didn’t see his father again for 24 years. In the interval, his mother committed suicide after hovering “in the realm of vapor and shade,” though not before her son had embarked on his drinking career: “By the time Saigon falls I'm drinking whatever liquor I can get my hands on.” He’s 15. When Dad finally gives him a call, they are both wrecks: the elder an alcoholic ex-con living flop to flop, rifling garbage cans, still making stabs at writing, but more concerned with how to stay dry on a rainy night; the younger a doper, part-time drug-runner, working in a homeless shelter, adrift on a “sea of forgetfulness.” While the author ever so slowly, with lots of swings, gathers himself, his father takes to driving a taxi, more for scoping out sleeping venues than collecting fares. Flynn drives the homeless shelter van at night, each bundle a push-pull chance to encounter his father. The voice here is boiled just right: tough, articulate, mindful, without self-pity. There will be little bonding, and any knitting up of the ragged sleeve will have to wait for another time and plane.

This is “the book that somehow fell to me, the son, to write,” states the author, describing himself as “my father’s uncredited, non-compliant ghostwriter.” So give credit now, where it is well due.

Pub Date: Sept. 20, 2004

ISBN: 0-393-05139-0

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2004

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DISPATCHES

He came home eventually, to do the “Survivor Shuffle” and miss Vietnam acutely, and he writes with a fierce, tight...

“Vietnam, man. Bomb ’em and feed ’em, bomb ’em and feed ’em”—a chopper pilot summarized the war strategy for Herr.

And with Herr’s belated volume of unfiled dispatches from the front, the awareness grows that this war—like no other since WWI—continues to produce a rich lode of literature, part litany, part exorcism, part macabre nostalgia. Like his buddies Scan Flynn and Dana Stone—later MIA in Cambodia—Herr was a correspondent with a license to see more than just a single mud hole. Using the “Airmobility” of the helicopters, he hopscotched the country from Hue to Danang to the DMZ to Saigon (“the subtle city war inside the war” where corruption stank like musk oil). He was at Hue during the battle that reduced the old Imperial capital to rubble, at Khe Sanh when the grunts’ expectations of another Alamo were running high. Between mortar shells and body bags he reflected on the mysterious smiles of the blank-eyed soldiers, smiles that said “I’ll tell you why I’m smiling, but it will make you crazy.” And Herr, who is full of twisted, hidden ironies, is all wrapped up in the craziness of the war, enthralled by the limitless “variety of deaths and mutilations the war offered,” and by the awful “cheer-crazed” language of the official communiques which always reported spirits high, weather fine. He knew, and his buddies knew, that this kind of reportage was “psychotic vaudeville”—though not for a moment would he deny the harsh glamour of being a working war correspondent. 

He came home eventually, to do the “Survivor Shuffle” and miss Vietnam acutely, and he writes with a fierce, tight insistence that never lets go.

Pub Date: Nov. 8, 1977

ISBN: 0679735259

Page Count: 276

Publisher: Knopf

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: Nov. 1, 1977

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SURPRISED BY OXFORD

A MEMOIR

Well-written, often poignant and surprisingly relatable.

Memoir of a literature professor who converted to Christianity in the halls of Oxford University.

Coming home for the holidays, Weber (English/Seattle Univ.) had a handsome young man with a jewelry box in his pocket waiting for her at the gate. Most girls would be excited, but not the author. As her ex–fiancé-to-be awaited her arrival, Weber found herself confiding to a concerned stranger that she'd been thinking about someone else: Jesus. It's an inauspicious beginning for a conversion story, inciting the same adverse reaction in readers as the author’s agnostic friends—nice, well-educated girls do not break up with their boyfriends and become Christians. But a lot has changed since Weber began her graduate studies at Oxford, an establishment where semesters with names like "Michaelmas" and "Hilary" frame a touching narrative of friendship, love and faith. There, the author was just as often inspired by Keats and the Beatles as she was by the Gospel. Weaving lines of poetry, philosophy and scripture into her narrative, Weber grasps at the meaning of life in the pages of great works of literature and overcomes her own childhood cynicism. Ultimately, a boy she refers to as TDK (i.e., tall, dark and handsome) won her heart and encouraged her to convert. When normal, 20-something trials ensued, notably a visit from a Georgia Peach in designer stilettos who threatened to steal her crush, the author’s new faith was put to the test. The delicately crafted moments when Weber’s faith allowed her to think more clearly and walk more gracefully through her life are, much like her romance, worth the wait.

Well-written, often poignant and surprisingly relatable.

Pub Date: Aug. 9, 2011

ISBN: 978-0-8499-4611-0

Page Count: 384

Publisher: Thomas Nelson

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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