Better than the usual run of actor memoirs and plenty of fun to boot.
The noted film actor and notorious bad boy hunkers down and tells a few tales of his life, some of which just may be true.
“Let me tell you about my testicle tuck,” writes Nolte by way of an opening gambit. There are plenty of other bodily points of interest, as well: for one thing, the author had a well-developed habit of smacking his head against hard objects, like the sides of cars, “to relieve a little stress.” Fortunately, he survived, having finally learned that “running my head into cars was signaling…I needed help.” As his memoir unwinds, it’s clear where some of the stress and self-destruction came from. Back in Iowa, life presented its own hardships in the form of a war-scarred father and a mother who fed Dexedrine to young Nick, who recalls that the so-called vitamin “would have me bouncing off the walls in no time, eager as hell to get to school and wreak whatever havoc I could.” Havoc is a useful keyword, for there are plenty of opportunities to watch it in play as Nolte stumbles into an acting career and finds that he’s good at it, even if his early work was dismissed as lunk-headed and wooden. Things got better with Karel Reisz’s Who’ll Stop the Rain (1978), the film version of Robert Stone’s Dog Soldiers, “an important film for me because I was able to display some depth as an actor and a complexity far beyond what The Deep revealed.” Nolte casts a gimlet eye on his performances and the circumstances surrounding them, performances that have included such brilliant work as the cynical football hero of North Dallas Forty but have lately centered on a character he calls the “designated old guy.” Long since on the wagon and an obviously thoughtful man, Nolte seems to share the reader’s surprise that he lived long enough to take that role.
Better than the usual run of actor memoirs and plenty of fun to boot.Pub Date: Jan. 23, 2018
ISBN: 978-0-06-221957-2
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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