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THE GREATEST LOVE STORY EVER TOLD

AN ORAL HISTORY

Readers are likely to enjoy the authors’ company almost as much as they seem to enjoy each other’s.

In an oral history that reads like playful conversation, two popular TV stars discuss how they came together and stayed together.

If the Captain & Tennille talked a little naughtier in public, their “Love Will Keep Us Together” could serve as a theme song for this extended ode to marital harmony. The book is nonchronological, proceeding in chapters focusing on topics including religion, sex (and previous relationships), art, awards ceremonies, and fame in general. When they met in 2000 while rehearsing for a play, Mullally was already successful with Will & Grace, while Offerman (Good Clean Fun: Misadventures in Sawdust at Offerman Woodshop, 2016, etc.) was as much a carpenter as an actor. It wasn’t love at first sight, at least on her end, but, he says, “we recognized a kindred spirit in our performance styles, if you will. And senses of humor.” She had been married and had rushed into other relationships that didn’t work out, while he had come from a large, loving Midwestern family and had those values instilled in him. “You’re not the kind of guy who had a million women and was a dog,” she tells him. “I always hated those kind of guys.” The authors’ banter occasionally edges toward pillow talk, and they come across like perennial honeymooners. The age difference (she’s nearly 12 years older) was never an issue, and it doesn’t appear that he was bothered by her success, though his breakthrough role in Parks and Recreation has leveled the playing field. If there is a secret to their love, it is perhaps best distilled in Mullally’s solo chapter of beauty tips, where she advises, “just try to be the best version of what you are naturally.” They amuse themselves, Offerman explains, by “doing jigsaw puzzles while simultaneously listening to audiobooks.”

Readers are likely to enjoy the authors’ company almost as much as they seem to enjoy each other’s.

Pub Date: Oct. 2, 2018

ISBN: 978-1-101-98667-7

Page Count: 288

Publisher: Dutton

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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