DINO

LIVING HIGH IN THE DIRTY BUSINESS OF DREAMS

Flamboyantly overwritten, saddest celebrity bio of the past decade. Dino Crocetti—Steubenville, Ohio, son of Italian immigrants, and an easygoing, untrained singer with lip-lazy diction—became Dean Martin early in his work with local bands, made it big in Manhattan as a solo act, and went over the top when teamed with a monkey named Jerry Lewis. The keynote of Martin's delivery, explains Tosches (Cut Numbers, 1988, etc.), was a relaxedness directed toward males but that had the ladies following him to bed like groupie mayflies—while he attracted Mafia heavy-hitters as well. Martin's pal Frank Sinatra held him in awe and envied his ease with the Mafia cafe-owners, but Dino couldn't care less about power, or much of anything. He kept Sinatra, as well as his own wives and children—everyone in fact—at arm's length emotionally, and, Tosches indicates, never in his life let one person into his most secret heart. He seemed largely devoted to golf. Gradually, Martin, at first a moderate drinker, developed a drunk act that became too real and at last took him over. After many years as the top draw on TV, he wound up hosting his celebrity roasts, a kind of gathering of the dead assembled from thousands of small splices of film. Martin is still alive, but a shadow in a breeze, withdrawn into watching westerns on TV. Tosches tells his story in a Niagara of grossness that at once strives for literary excellence while often falling into garble: ``The very songs that Sinatra and Dean sang...inspired lavish squandering among the countless men who would be them. It was the Jew-roll around the prick that rendered them ithyphallic godkins, simulacra of the great ones, in their own eyes and in the eyes of the tease-haired lobster-slurping bimbo sapiens they sought to impress.'' One-hundred-proof prose at its most scorching, and it will melt cash registers. (Thirty b&w photographs—not seen.)

Pub Date: July 1, 1992

ISBN: 0-385-26216-7

Page Count: 464

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1992

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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