A captivating tale.
A mysterious man becomes the object of a young woman's quest.
As the newest hire at a Berkeley bookshop, Gabriele is assigned to what the staff calls “the Vietri Project,” fulfilling orders from one Giordano Vietri, in Rome. Over the course of two and a half years, sending him more than 1,000 books on assorted esoteric topics—including mysticism, Native American medicine, shamanism, animism, and alchemy— Gabriele construes an image of Vietri as “an old man alone in a crumbling Roman apartment building, surrounded by hundreds of books not in his native language, frantically researching his own mortality.” Making an accomplished literary debut, notable for its delicate prose and sharply delineated characters, DeRobertis-Theye enmeshes Gabriele in her own frantic search, impelled, at first, by her curiosity about Vietri and the wisdom she imagines he may impart to her. An only child whose mother has been long institutionalized with schizophrenia, Gabriele, on the cusp of turning 25, decides to leave her job, the boyfriend who hopes to marry her, and a life that has become claustrophobic and aimless. Desultory travels finally end in Rome, where her mother was born, where Gabriele had spent summers as a teenager, and where she tries—but fails—to find Vietri at his apartment. Fearful of being caught in the “traumas and histories” of her many Italian relatives, at first she devotes herself solely to investigating Vietri and, as she discovers records and documents, becomes drawn into a larger trauma: Italy’s wartime past. DeRobertis-Theye unfolds Gabriele’s quest like a mystery, revealing clues both to Vietri’s life and Gabriele’s: her fear of inheriting schizophrenia, her overwhelming feelings of grief, her conflicted longing for family, and her obsession with Vietri. “Usually,” a friend tells her, “it’s that you need something about the world explained to you. You want to understand the order of things and you think that if you trace the life of this man it will do that for you.”
A captivating tale.Pub Date: March 23, 2021
ISBN: 978-0-06-301770-2
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2021
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
Captivating, frightening, and a singular achievement.
As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.
For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).
Captivating, frightening, and a singular achievement.Pub Date: Dec. 5, 2023
ISBN: 9780802163011
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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