Original but disappointing.
A narrative of disability and its consequences.
An author of science fiction, thrillers, and historical fiction, Griffith (Hild, 2013, etc.) defies easy categorization. So does her latest novel. It has some of the elements of crime fiction, but its shape does not conform to the genre’s norms. Romantic relationships play a significant role in the plot, but this is certainly not a romance novel. This is, more than anything, a story about disability and how it shapes—and reshapes—people’s lives. The narrative begins with Mara Tagarelli’s longtime partner, Rose, leaving her for another woman. When Mara turns to Aiyana, one of her oldest friends, for comfort, their relationship turns sexual. But Aiyana’s job is taking her to New Zealand, so Mara is alone when she discovers that she has multiple sclerosis. As both the illness and the side effects of drug therapy take their toll, Mara is forced to step down as executive director of a multimillion-dollar AIDS organization. Her experience in that space gives her tools for advocating for herself and other people with MS, but her failing body challenges Mara’s sense of herself. She’s used to being strong and self-reliant, and now she is weak and dependent. She doubts that anyone can really want her. She is prickly about Rose’s offers of help, and she assumes that Aiyana has lost interest. Then MS sufferers on a mailing list Mara has compiled become the victims of violence, and she suspects that the perpetrators might be working their way toward her. There are plenty of compelling themes here, and this might have been an excellent novel if it had been half again as long. But everything feels rushed. Mara’s reaction to her disease is raw and honest, but readers only see her as caustic and difficult. Unpleasant protagonists can be compelling, of course, but, here, it’s easier to understand why Rose and Aiyana would ditch Mara than to understand why they stick with her. And the element of mystery is introduced late and resolved before it generates any real tension.
Original but disappointing.Pub Date: May 15, 2018
ISBN: 978-0-374-26592-2
Page Count: 192
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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