A fresh, often lovely, not entirely gratifying take on Arthurian legend.
What if Percival, one of the Knights of the Round Table, was queer?
As a young girl, the heroine of this novella lives alone with her mother, isolated from people but familiar with every plant and beast in the valley that is her home. Sometimes her mother calls her a gift. Other days, her mother says her daughter is payment for the abuse she endured. After a chance encounter gives her a taste of battle and a glimpse of the outside world, the girl decides to make her way to the court of Arturus. Before she sets out, she asks her mother for a true name, and her mother calls her Bêr-hyddur, “spear enduring”—Peretur. Disguised as a young man, Peretur protects villages from bandits, defeats rebel knights, seduces a barmaid, and brings the Grail to her king. Griffith mines the matter of Britain and Celtic mythology while, at the same time, turning tropes upside down and subverting expectations. Arturus, for example, is a principled ruler but also a man in thrall to his otherworldly sword. Nimuë—who becomes Peretur’s lover and ally—imprisons Myrddyn (elsewhere known as Merlin), not to steal his magic but to stop him from controlling hers. Turning the knight who finds the Grail into a young woman is obviously an innovation, but Griffith also transforms the very nature of the Grail quest. Peretur knows exactly where the Grail is as soon as she understands what the Grail is. And Griffith is participating in a trend toward rediscovering diversity in the pre-modern world in a way that feels entirely organic. Peretur’s journey to prove herself worthy of joining Arturus’ companions moves along briskly without feeling rushed. Her Grail quest is her final test, but it feels like the beginning of a new narrative that ends before it begins. Readers interested in the fate of Arturus’ kingdom will be wholly disappointed. Readers invested in Peretur and Nimuë will get the equivalent of a happily-ever-after that feels more like an abrupt dismissal than a satisfying ending.
A fresh, often lovely, not entirely gratifying take on Arthurian legend.Pub Date: April 19, 2022
ISBN: 978-1-250-81932-1
Page Count: 192
Publisher: Tordotcom
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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