An underdeveloped fictional landscape.
Harrison’s debut explores class privilege and true love in 1938 Montauk.
When financier Carl Fisher, who made and lost a fortune developing Miami Beach, took an ill-advised gamble on the rockbound sand spits of Montauk, Long Island, he paved the way for future development—and this novel. Harrison’s protagonist, Beatrice, and her banker husband, Harry, check into Montauk Manor—the luxury resort built by Fisher, which still stands today—with plans that she will summer there while he works in the city. Locals from Montauk’s seaside fishing village comprise the servant underclass at the manor, among them Elizabeth, who collects the guests’ laundry to wash in her humble cottage. Bored with the manor’s indolent coterie of wealthy wives, Beatrice, whose own background is middle-class, befriends Elizabeth. Although ostensibly sharing Beatrice’s longing for a child, Harry has been neglecting his husbandly duties, because, as Beatrice learns, his business in the city is monkey business. But Harry’s protracted absences permit Beatrice to pursue an affair with her true soul mate, lighthouse keeper Thomas. The dialogue is exposition-heavy, and the characterizations seem rote, as does the plot. For example, Beatrice’s only ally at the manor, Dolly, seems drawn from the Rosalind Russell character in the movie The Women, complete with flamboyant hats. Dutiful but brief attention is paid to American isolationism and FDR’s reluctance, then, to engage Hitler. The destabilizing force of gentrification is decried at times, but through Beatrice, Harrison concedes that “Fisher had developed Montauk without ruining its beauty.” Beatrice, writing anonymously for a Manhattan paper, exposes the foibles of the moneyed but mindless summer people, including their habit of sending soiled diapers home through the mail, overburdening the local post office. Harrison fails to mine the rich vein of conflict that a mole in the manor’s midst might have generated. The novel’s central question is typical of movies of that era: Is it better to have true love but no money? Or loveless riches? It is a controversy (among many others) that this book handily dodges.
An underdeveloped fictional landscape.Pub Date: June 4, 2019
ISBN: 978-1-250-20011-2
Page Count: 400
Publisher: St. Martin's
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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