White girl problems.
A down-on-her-luck NYC girl gets a taste of the limelight when she becomes personal assistant to a rock-star relative.
McLaughlin and Kraus (Nanny Returns, 2009, etc.) offer up another fable about a plucky 20-something beleaguered by an unstable employer. Their latest entry feels about seven years out of step with the times, as the crazy in the house this time is a Britney-esque pop star whose life is leaning dangerously towards the toxic. Our everygirl narrator is Logan Wade, who was offered the personal assistant gig by her cousin Kelsey when the young singer was first starting out. Now, Kelsey has become one of the world’s biggest celebrities, while Logan is living a half-life in the city with an arduous job, a selfish sort-of-boyfriend and a growing sense of dissatisfaction with her life. “Suddenly the life I’ve spent the last decade building is losing relevance, the veneer I’ve run frantic circles to secure showing its cracks like a puzzle held over a flashlight,” Logan says, in a characteristically overly wordy and featherweight observation from a generally impassive character. Even when the authors shoehorn Logan into the most glamorous and outrageous situations—and there are many, ranging from video shoots in exotic locales to flu-ridden blockbuster concerts to steamy Italian liaisons—she never seems to join the circus, just comments endlessly on it. Kelsey is a far more interesting collection of self-indulgences, poor choices and disconnects from reality, but her character is so fully drawn from real life that her troubles seem a bit clichéd. There are the paparazzi photos, her ill-advised romance with a sleazy backup dancer, a host of mood disorders and the helicopter parents who want to micromanage their daughter’s career, not to mention her life. The story shudders from plot point to plot point. Harmless, yes, but McLaughlin and Kraus flow better when their stories are more diabolical and less diatribe.
White girl problems.Pub Date: June 12, 2012
ISBN: 978-1-4391-8818-7
Page Count: 336
Publisher: Atria
Review Posted Online: May 19, 2012
Kirkus Reviews Issue: June 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
King's newest is a gargantuan summer sausage, at 1144 pages his largest yet, and is made of the same spiceless grindings as ever: banal characters spewing sawdust dialogue as they blunder about his dark butcher shop. The horror this time out is from beyond the universe, a kind of impossible-to-define malevolence that has holed up in the sewers under the New England town of Derry. The It sustains itself by feeding on fear-charged human meat—mainly children. To achieve the maximum saturation of adrenalin in its victims, It presents itself sometimes as an adorable, balloon-bearing clown which then turns into the most horrible personal vision that the victims can fear. The novel's most lovingly drawn settings are the endless, lightless, muck-filled sewage tunnels into which it draws its victims. Can an entire city—like Derry—be haunted? King asks. Say, by some supergigantic, extragalactic, pregnant spider that now lives in the sewers under the waterworks and sends its evil mind up through the bathtub drain, or any drain, for its victims? In 1741, everyone in Derry township just disappeared—no bones, no bodies—and every 27 years since then something catastrophic has happened in Derry. In 1930, 170 children disappeared. The Horror behind the horrors, though, was first discovered some 27 years ago (in 1958, when Derry was in the grip of a murder spree) by a band of seven fear-ridden children known as the Losers, who entered the drains in search of It. And It they found, behind a tiny door like the one into Alice's garden. But what they found was so horrible that they soon began forgetting it. Now, in 1985, these children are a horror novelist, an accountant, a disc jockey, an architect, a dress designer, the owner of a Manhattan limousine service, and the unofficial Derry town historian. During their reunion, the Losers again face the cyclical rebirth of the town's haunting, which again launches them into the drains. This time they meet It's many projections (as an enormous, tentacled, throbbing eyeball, as a kind of pterodactyl, etc.) before going through the small door one last time to meet. . .Mama Spider! The King of the Pulps smiles and shuffles as he punches out his vulgarian allegory, but he too often sounds bored, as if whipping himself on with his favorite Kirin beer for zip.
Pub Date: Sept. 1, 1986
ISBN: 0451169514
Page Count: 1110
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1986
BOOK TO SCREEN
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