An absorbing, if sometimes excessive, study of the banality of evil.
In Cold Blood meets Less Than Zero, Roman style, in a fact-based novel about a notorious 2016 murder.
Though the victim, 23-year-old mechanic Luca Varani, was bludgeoned with a hammer and stabbed with knives over two hours by his assailants, the barbarism of the attack was less noteworthy than the absence of any apparent reason for it. Manuel Foffo, 29, a successful event organizer, and Marco Prato, 29, a failed university student and son of a restaurateur, were hardly killer types. However nasty their intentions were with Luca, who supplemented his income as a gay prostitute, they didn’t plan on subjecting him to more than a “fake rape.” But after ingesting massive amounts of cocaine and alcohol, which they shared with the victim, they gave in to their darkest impulses, killing him just to see what it was like. Lagioia deeply researched the story, using testimony from the largely unreliable main characters as well as friends and family of all three men. He sees the killers and their victim as products of difficult childhoods as well as the rot and despair of a rat-infested Rome, in which “you breathed a tense, angry air that could inspire imprudent behavior.” Most of the novel acts as a prelude to descriptions of the gory murder scene, which is recounted late in the book. Rather than provide a Rashōmon-like complexity to the narrative, all the contrasting views of Manuel, Marco, and Luca tend to bog things down. The author of the Strega Prize–winning novel Ferocity (2017) and host of a podcast based on the Varani murder, Lagioia makes brief appearances as himself in the role of interviewer. He's more effective in that role than in dispensing grand bits of philosophy: “No human being measures up to the tragedies that befall him.”
An absorbing, if sometimes excessive, study of the banality of evil.Pub Date: Oct. 3, 2023
ISBN: 9781609458317
Page Count: 432
Publisher: Europa Editions
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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