by Nicole J. Georges illustrated by Nicole J. Georges ‧ RELEASE DATE: Jan. 22, 2013
The mostly engaging tone and humor can’t compensate for a lack of substance and continuity.
A meandering graphic memoir by a young cartoonist who seems to have most of her story ahead of her.
The pivotal points of the narrative come nearly 200 pages apart. Early on, Georges (Invincible Summer 2, 2008, etc.) writes about a visit to a palm reader who tells her that the father she’s never known, who she’s been told by her mother is dead, is in fact alive. The second arrives with the title incident toward the end, after the author has found out little about her father except for the fact that he likely is alive. She makes a call to Dr. Laura on how to handle her Christmas visit with the mother she no longer trusts. There’s also some subtext to this—not shared with Dr. Laura—that the author is a closeted lesbian, and her mother became estranged from an older daughter when she came out. That sister has also provided the author with testimony that her father (the younger sister’s; the older sisters have a different father) is alive. The narrative lacks focus and command, skipping all over the place chronologically as well as geographically, as the author addresses her not-very-dramatic relationships with girlfriends, her series of stepfathers and would-be father figures and her reluctance to address her sexuality with her mother (much to the annoyance of her live-in lover). There are lots of animals as well, mostly dogs, but a pet chicken, too. The narrative builds to the phone call with Dr. Laura, who has been barely mentioned through the preceding 190 pages, and whose cut-to-the-chase advice is curt, cold and not very helpful. “I cut my losses and moved forward,” writes Georges, in what seems to be the end of the prologue for the life to come. And then comes the epilogue, in which she (kind of) solves the mystery of her father.
The mostly engaging tone and humor can’t compensate for a lack of substance and continuity.Pub Date: Jan. 22, 2013
ISBN: 978-0-547-61559-2
Page Count: 288
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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written and illustrated by Nicole J. Georges
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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