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GREAT HOUSE

Brainy and often lyrically expressive, but also elusive and sometimes infuriatingly coy; Krauss is an acquired taste.

A many-drawered writing desk resonates powerfully but for different reasons with the various characters in this novel about loss and retrieval from Krauss (The History of Love, 2005, etc.).

This brain-stretching novel travels back and forth across years and continents. In 1972 New York, a young novelist named Nadia spends one magical evening with a Chilean poet, Daniel, who then returns to Chile. Daniel leaves in her care a desk he claims belonged to Federico García Lorca. Shortly afterward, he dies at the hands of Pinochet’s secret police. In 1999 a young woman named Leah announces to Nadia that she is Daniel’s daughter and wants his desk returned. The reclusive Nadia lets Leah, who resembles Daniel, ship the desk to her home in Jerusalem but is emotionally devastated afterward—the desk represents her writing life. Her sense of herself as a woman and a writer deeply shaken, she decides to visit Jerusalem. Meanwhile in Jerusalem, a retired lawyer yearns to connect to his son Dovik, who has left his own legal career in England to move in with his father after his mother’s funeral. Barely speaking, Dovik remains a frustrating mystery to his father. Back in 1970 in London, an Oxford professor finds his jealousy pricked when his wife Lotte, a writer and Holocaust survivor, gives her writing desk to the young poet Daniel, an admirer of her work. Only later, learning that Lotte gave up a baby for adoption before she married, does he realize that Daniel became a surrogate for her lost son. In 1998 in London, Leah is living with her brother when she goes to New York in search of the desk. While the disparate characters do not necessarily interact, their choices affect one another over the course of decades.

Brainy and often lyrically expressive, but also elusive and sometimes infuriatingly coy; Krauss is an acquired taste.

Pub Date: Oct. 1, 2010

ISBN: 978-0-393-07998-2

Page Count: 352

Publisher: Norton

Review Posted Online: June 22, 2010

Kirkus Reviews Issue: July 15, 2010

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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