A breezy, charming novel that finds humor in the societal pressures to find a husband.
A woman fakes her way through a London vacation in Macaulay’s comedic debut novel.
Third grade teacher Lucy Gray does not have much time for a love life, but everyone in her family has been getting married recently, and she can’t stand to attend her sister’s wedding alone. She begs a co-worker to come and pretend to be her boyfriend, but he ends up making out with her cousin in the photo booth—a fact that everyone discovers just as Lucy is giving her maid of honor speech. Afterward, the wedding psychic (it’s an ’80s-themed wedding) tells Lucy she needs to start listening to signs from the universe. It turns out that her sister, the indecisive Marian, booked two Christmastime honeymoons, and after she and her husband leave on their cruise to the islands of Greece, Lucy realizes there’s an unused hotel suite sitting in London. “I just happened to hear a message from someone in London because Marian happened to forget to cancel her reservation – something she’d never do in a million years,” thinks Lucy. “If this isn’t some kind of sign, then….” The only problem is that, while staying at the honeymooners-only Chaizer London, she’ll have to pretend to be Marian…and keep making excuses for why her new husband isn’t with it her. While reconnecting with an old classmate who happens to be in town, Lucy finally begins to feel a bit of freedom. Cary Stewart is an actor—a handsome one at that—and he proves amenable to stepping into the role of temporary husband. However, as her ruse attracts the attention of overzealous hotel employee Oliver Burke and her family back in Massachusetts begins to interfere, Lucy’s honeymoon-for-one transforms from a relaxing getaway into an increasingly complicated deception. Macaulay’s prose is smooth and funny, capturing Lucy’s family-related neuroses: “The next day, as I step outside The Chaizer into the morning sunshine, I am sad to report that it still hasn’t rained. Not once. In London. London, a place known for its rain. And Prince William. It’s almost as if my mother called Mother Nature and told her, mother-to-mother, to hold off until I left, just to spite me for embarking on this fool’s mission.” The plot is fairly absurd: Why would any hotel care whether or not its guests were really on their honeymoon? But Macaulay unfurls it in such a pleasant, slightly goofy way that its many contrivances seem forgivable. Lucy is an enjoyable protagonist, and her enthusiasm for the places she visits rubs off on the reader. The supporting characters are likable as well, and Macaulay’s portrayal of Lucy’s cartoonishly overbearing family—mostly in the form of blog posts—is truly anxiety inducing. Readers looking for a lighthearted love story with plenty of London coziness and Christmas cheer can do far worse than Macaulay’s charming vacation story.
A breezy, charming novel that finds humor in the societal pressures to find a husband.Pub Date: N/A
ISBN: N/A
Page Count: 261
Publisher: Kurti Publishing
Review Posted Online: July 22, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
