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IT GETS BETTER...EXCEPT WHEN IT GETS WORSE

AND OTHER UNSOLICITED TRUTHS I WISH SOMEONE HAD TOLD ME

A proud transgender woman is “loved and wanted as I was.”

A young transgender woman tells of her fight against bigotry and misogyny.

Maines “came out as trans when I was three years old,” realizing her “boy-body felt wrong to me.” By age 10, she had socially transitioned—no longer Wyatt, now Nicole. She was the anonymous plaintiff in the Maine Supreme Judicial Court case in which the court ruled that her school district could not deny her access to a female bathroom for being transgender. Maines was also the subject of the bestseller Becoming Nicole: The Transformation of an American Family (2015), “about my parents learning how to raise a trans child, especially my dad, who was cast as having the story’s ‘biggest transformation of all’”: from NRA conservative to trans advocate and motivational speaker. During the course of her life story, we learn about the trauma and eventual resolution of her gender reassignment surgery, her being cast as TV’s first trans superhero on the CW’s Supergirl (2018), and her finding roles as actress, activist, and comic book creator. Maines attests that she did not bend her experience to fit an arbitrary inspirational story arc, but her singular voice powers the book; she is open and humorous and a bit sly. She claims to be “just one plaintive voice, begging people not to be bigots and homophobes,” but she sells herself a bit short. Readers learn about the value of puberty blockers, how a gender-segregated bathroom becomes “the site of potential, and likely, panic,” and how Hans Christian Andersen’s The Little Mermaid might be the story of a girl born into the wrong body, “a positive picture of what transition could mean.” This is the memoir of a still young and confident woman, with more accomplishments yet to come.

A proud transgender woman is “loved and wanted as I was.”

Pub Date: Oct. 15, 2024

ISBN: 9780593243121

Page Count: 224

Publisher: Dial Press

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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