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OUR PRINCE OF SCRIBES

WRITERS REMEMBER PAT CONROY

A fitting tribute to a unique, significant writer and man.

His wound may have been geography, but his legacy was generosity. That’s the takeaway from this new collection of essays honoring the late Pat Conroy (1945-2016).

Novelist Seitz (The Cage-Maker, 2017, etc.) and Haupt, the executive director of the Pat Conroy Literary Center, pull together a who’s-who of writers from the Lowcountry and beyond for an ode to the real Prince of Tides. Remarkably, what could have been a tedious eulogy turns out to be a compelling read that illuminates the man behind the myth, a writer’s writer, a fantastic storyteller, a flawed genius, and an exceptionally loyal friend. Of course, some essays excel more than others. Sallie Ann Robinson, a student of Conroy’s on Daufuskie Island, which he later made famous in The Water Is Wide (1972), writes a moving account of what it was like to be taught by the larger-than-life author: “Pat saw that our experiences had been limited, and he wanted us to have more.” Other chapters are more nostalgic, but even still the collection feels genuine. How many writers get a 60-author-strong memorial published after their death? For fans of Conroy, the peek into his real life is especially entertaining. Apparently, he was notorious for leaving the same message on all of his friends’ phones—“It’s up to me to keep this dying friendship alive”—although it was next to impossible to call him back as his own voicemail was nearly always full. But even if you couldn’t get him on the phone, Conroy always showed up when it was important, like when another author needed a book jacket endorsement. A self-declared “blurb slut,” he was renowned for not just giving other writers recommendations, but also writing thoughtful praise that many credit for their success to this day. Among others, notable contributors include Jonathan Galassi, Ron Rash, Marjory Wentworth, Patti Callahan Henry, Rick Bragg, and Mary Alice Monroe.

A fitting tribute to a unique, significant writer and man.

Pub Date: Sept. 15, 2018

ISBN: 978-0-8203-5448-4

Page Count: 320

Publisher: Univ. of Georgia

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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