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THE HEART OF THE WORLD

Moody, sweet-spirited survey of lowlifes, castoffs, and misfits along Broadway, from Battery Park to Times Square. Cohn (King Death, 1975; Rock from the Beginning, 1969) embraces everybody, standing up for thieves, transvestites, and grotesques with hearts of gold. In Battery Park, his Virgil is 20- year-old, drum-playing Sasha Zim from Moscow, a cabdriver in ``bomber jacket and Hawaiian shirt, jogging pants, lumberjack boots, a buffalo-head Western belt and a small silver crucifix,'' who learned English from daytime soap operas and says things such as, ``In taxi is university of all mankinds, what you don't know won't hurt you, what you do is killing you dead. Whole world is going Helen Handbasket.'' Sasha introduces Cohn to a Hispanic team of ``Liberty Boosters,'' pickpockets of the Liberty Bay ferry, one of whom is Stoney, who has ``the rapture'' (epileptic attacks during which God speaks to him) and to whom wallets leap if he merely ``consents to receive'' them. Moving into an eight-by-ten- foot room in Times Square's walk-up Moose Hotel, Cohn meets his young, dope-taking alcoholic transvestite neighbor, Lush Life, a vision in Passion Pink nail polish who left home at 15 and forever abandoned her real name of Geraldo Cruz. Cohn gives us much background on P.T. Barnum and his famed museum of freaks, on Hubert's Museum and Flea Circus in Times Square, on the Gilded Age and Evelyn Nesbit and Stanford White, on the sins of Robert Moses (whose rebuilding plans for the city, Cohn says, cast whole populations into the street), on the sex shops and the Metropole jazz bar (now gone topless) and McSorley's men-only saloon (now letting in women), and on Times Square's Chess and Checkers Club. He ends on chords that can only be called ashen. Striving like Whitman, not cynical, but at last quite desolate.

Pub Date: Feb. 10, 1992

ISBN: 0-394-56869-9

Page Count: 384

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1991

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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