An engaging, at times moving, debut that doesn’t always quite ring true.
A grieving young woman finds help at a Swiss boarding school in this realistic novel.
Seventeen-year-old Cara arrives at Hope Hall feeling as if she’s been flung as far as possible from her previous home near San Francisco. Months earlier, a car accident, in which she was the driver, killed her best friend, G, and left Cara struggling with anxiety and agonizing in a deep well of self-blame. She’s surprised and touched, if wary, that her new roommate, Ren, is patient and empathetic, and Cara is reluctantly drawn into her tight, complicated friendship with Fred and Hector, two other students. There are poignant and genuine moments in Cara’s introspective first-person narration, and many readers will enjoy the idyllic setting in the mountains of Switzerland and the pan-European cast of characters: Cara lived in England before her parents’ abrupt divorce led to her mother’s marrying an American and fleeing the country, Hector is Spanish and English, Ren is French, and Fred is Swedish. They are all white; Ren is also gay. Cara’s experience of her grief is realistically messy, but some readers will find its blending with a romance with Hector too pat and the slow build of her coming to terms with the actual events leading up to G’s death too melodramatic.
An engaging, at times moving, debut that doesn’t always quite ring true. (Fiction. 12-18)Pub Date: March 31, 2020
ISBN: 978-0-593-12076-7
Page Count: 368
Publisher: Delacorte
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.
A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).
Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)Pub Date: Jan. 8, 2019
ISBN: 978-0-316-31035-2
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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