Next book

HAMMER HEAD

THE MAKING OF A CARPENTER

A surprisingly thoughtful book about taking chances and finding joy in change.

A former journalist tells the story of how a longing to “engage with the tangible, to do work that resulted in something I could touch” led to an unexpectedly fulfilling career as a carpenter.

As she neared 30, former Boston Phoenix editor MacLaughlin came to the painful realization that the job she once thought was "the coolest job in the world" no longer satisfied her. The woman who had lucked into a job straight out of college now stirred with a powerful desire for "the wholesale altering of life as [she’d] been living it.” So she quit her newspaper job and answered a Craigslist advertisement for a carpenter’s assistant. The carpenter doing the search, also a woman, took a chance and hired MacLaughlin, despite her total lack of experience. Soon, the former journalist who had spent her entire working life sitting in front of a computer screen was actively using her body and hands to transform residential living spaces. Learning how to use tools like tape measures, hammers, saws and drills was as challenging as coming to terms with the desexualizing nature of a profession overwhelmingly dominated by men. For the first time in her life, MacLaughlin realized just how “attached to [her] femininity” she really was. Through the screw-ups, successes and fallow periods that left her questioning her decision to leave a steady job, the author gained new confidence, both as a woman and a carpenter. She also discovered unexpected pleasure in dissolving “into something greater than” herself. MacLaughlin's work let her connect to the physical world in ways that writing—which only touched the surface of things through the “ghosty and mutable” medium of words—could not. More than that, it allowed her to “feel more honest, more useful, and more used.”

A surprisingly thoughtful book about taking chances and finding joy in change.

Pub Date: March 16, 2015

ISBN: 978-0393239133

Page Count: 240

Publisher: Norton

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Close Quickview