Chica-lit to be savored in small bites.
Never calling themselves Latinas or Hispanics or hyphenated anythings, the Mexican-Americans in a southern California town enjoy the hell out of pretty much everything in a slangy, self-assured debut.
Best girlfriends Natalie Stevens and Consuelo “Sway” Gonzales Contreras, a couple of cuties in their 20s are at the heart of things in this confection, but they share the stage with a fairly large cast of ghosts, whores, evangelical mariachi musicians, day laborers, transvestites, and a volcano as an eventful summer elapses in Lava Landing, a community miles from the news but not far from the Mexican border. Nat and Sway work, not too awfully hard, in a cheese factory, spending their off-hours shopping, getting their hair done, cruising in Nat’s Caddy convertible, flirting, and problem solving. One problem that’s stumped them so far is Consuelo’s fear of public transportation, a phobia linked to the tragic death of her father Don Pancho, who met his end one boozy evening back in Mexico when his truck stalled on the railroad tracks. Don Pancho’s ghost pops up time and again, seeking help getting out of Purgatory and visiting the many ladies in his earthly life. While the girls put their agile minds to Don Pancho’s problem, their friend and grade-school classmate Javier, a virginal, born-again musician, tries to reconcile his lust for the loose and lovely Lucha with his religious code, and Lulabelle, Javier’s mum, tries to decide whether to break her decades-long pact with the devil and give up all the household maintenance and yard break she’s been getting from studly day laborers in trade for her sexual favors. True-Dee, everybody’s favorite beautician, has all she can handle seeking advice from agony aunts about a sex change, organizing her annual Tupperware party, and, finally, getting involved with a gang of crypto-vulcanologists. Everybody dances when there’s a little bit of time, and there’s always something interesting to eat. It’s all totally inconsequential and a great deal of fun.
Chica-lit to be savored in small bites.Pub Date: April 1, 2004
ISBN: 0-375-41375-8
Page Count: 366
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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