Emotional upsets and surprises are interleaved with eccentricity in this latest slice of offbeat Englishness.
Susan Faye Warren—wife, mother, worker, and friend—shares the events of her adult life, interspersed with much deadpan detail, in Stibbe’s latest comic/domestic dispatch.
With her singular voice and deep roots in the English psyche, Stibbe has carved out a niche for oddball female narrators set against quirky provincial settings. Her fourth novel follows this pattern, tracing Susan’s interior and exterior landscapes as she traverses three decades of marriage to Roy, her parenting of their daughter, Honey, and accounts of an on/off friendship with the unpredictable Norma. The setting is England’s smallest county, Rutland, specifically the town of Brankham, where Roy and Susan meet while she’s studying English at the University of Rutland while holding down a Saturday job at the Pin Cushion, a haberdashery owned by the Pavlous, Norma’s parents. But over the years, the marriage devolves into something “that neither Roy or I seem to care about one jot,” while Honey grows into an unusual child, although devoted and loyal to Grace, the surprise sister Roy turns out to have fathered with his landlady before meeting Susan. Meanwhile, there are strange goings-on in the community, some of them sexual, and Norma becomes increasingly less reliable as she achieves enviable-seeming successes, professionally and personally. When Norma takes as her second husband the university’s vice chancellor, for whom Susan works, the women’s friendship becomes thornier still, as Norma blocks Susan’s plans and steals her ideas. But is all what it seems? Stibbe’s new novel, with its long time span and variable, sometimes chilly relationships, offers a cooler vision than some of her earlier works, but the trademark tone, humor, nostalgic detail, and skewed perspective remain as reliably diverting as ever.
Emotional upsets and surprises are interleaved with eccentricity in this latest slice of offbeat Englishness.Pub Date: May 3, 2022
ISBN: 9780316430340
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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