COOL CAT

The enticing cover is a perfect example of an effective, visual page turn, as a black-and-white cat carrying a brown case pussyfoots toward the right edge. Open the book, and a beautiful, wordless narrative begins on the endpapers. The cat opens the wooden box, which is filled with paints and brushes, and starts to paint over the dreary, desolate space littered with tin cans and broken bottles where he lives. Each spread adds a helpful creature that also plies a paintbrush and adds details to the picture: a cardinal, rabbit, squirrel, turtle and even a mouse. The final scene is a lush, lovely pond under a cloud-studded blue sky with some beautiful red roses for the cat to smell. Preschoolers will grin with delight as each page turn reveals something new in the evolving panorama. Accomplished with panache, a warm palette and quiet drama, the subtle message and charm of this wordless transformation make it a perfect companion to Leo Lionni’s Frederick. This cat? Way cool! (Picture book. 4-6)

Pub Date: Sept. 1, 2009

ISBN: 978-1-59643-429-5

Page Count: 40

Publisher: Roaring Brook

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Aims high but just doesn’t get there.

LITTLE FOX AND THE WILD IMAGINATION

Beware the imagination that cannot be contained.

When Poppa Fox comes to pick his son up after school he finds Little Fox a complete grump. Happily, Poppa Fox knows just the way to perk up his kiddo. One minute they’re pretending to be race cars, the next they’re dinos on the bus, and then later they’re blasting off to outer space to grab some ice cream. Unfortunately, all that sugar before dinner means that Little Fox’s imagination is now primed to go haywire. Now he’s a robo squid destroying a broccoli forest (rather than eating his dinner), then a shark devouring his dad, who is driving a mail truck (that is, splashing way too much in the tub). Things calm down by bedtime, but when Poppa Fox tells his son he will pick him up again the next day, Little Fox already has big plans. As books built on the power of imagination go, this story starts out strong but loses steam about the time Little Fox loses his focus. Santat’s art does more than its fair share of the heavy lifting, particularly when Little Fox’s imagination is supposed to go off the rails. Madcap adventure never looked this fun. Yet the book can’t quite nail the landing, shifting tone from one page turn to the next, leaving readers ultimately unsatisfied. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 33.8% of actual size.)

Aims high but just doesn’t get there. (Picture book. 4-6)

Pub Date: Sept. 8, 2020

ISBN: 978-1-250-21250-4

Page Count: 40

Publisher: Roaring Brook

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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