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MY ORGANIC LIFE

HOW A PIONEERING CHEF HELPED SHAPE THE WAY WE EAT TODAY

An inspiring account and great fun to read.

In a sparkling memoir, the founder of Restaurant Nora tells of making her own journey into the food world.

From her earliest days growing up in the Austrian Alps, Pouillon was exposed to simple, fresh food. When she came to the United States with her French husband in the 1960s, she was appalled by the drab produce and packaged, processed food found in American supermarkets. A book by British food and cooking writer Elizabeth David introduced her to the importance of fresh, seasonal and natural ingredients and essentially launched her on a new career path. Pouillon quickly learned to cook and then moved on from making dinners for friends to launching a catering business, teaching cooking classes in her kitchen, and becoming chef of a new restaurant, the Tabard Inn, in Washington, D.C. Spurred by the need to earn a living—she had left her husband—the author joined with two partners to open Restaurant Nora in 1979. Finding financing was one problem, and finding local, pesticide-free produce was another, but Pouillon met her challenges head-on. As a measure of her success, in 1999, Restaurant Nora became the first certified organic restaurant in the country; in 2010, it was chosen as the site of a surprise birthday party for Michelle Obama. Much more than a memoir of one woman’s career in food, the book also provides a picture of the growth of the organic food movement in the U.S.—a movement that Nora is still very much a part of. She organizes farmers markets, brings chefs and farmers together, works with consumer advocacy groups, and attends conferences at home and abroad. Pouillon’s story is also a feminist one, showing a woman with young children dealing with a failed marriage, working successfully in a male-dominated business and helping other women to succeed in it.

An inspiring account and great fun to read.

Pub Date: April 21, 2015

ISBN: 978-0-385-35075-4

Page Count: 288

Publisher: Knopf

Review Posted Online: Jan. 20, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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