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THE DEADLIEST ART

The vulgarity springs from Bogner’s overblown sexual detail wrapped up in implausible dialogue. Some will be put off early...

Sequel to Bogner’s ghoulish serial-killer special, To Die in Provence (1998).

Commander Michel Danton of the Judicial Police, son of the owners of Chez Danton, the finest restaurant in Aix-en-Provence, still works only the most difficult cases. Now, though, marrying art professor Jennifer Bowen, he will, at his bride’s request, set aside his visionary gift for solving murders, something he feels he was born for. But before Michel can find his replacement, a naked, partially decomposed young girl, her breast pierced and body blowtorched, washes ashore on a hotel beach at nearby Beau Rivage—and just at the hors d’oeuvres hour! What will tourists think? And whose beach is it? Claude Boisser’s, of course, the former vice squad superintendent whom Michel got fired for corruption. So Claude has to call Michel to help clear up this horror. The story hereafter wavers and waggles between the inspired and the utterly vulgar. The dead 13-year-old, an American from California, had been kidnapped by, and was the victim of, Garrett Lee Brant, whose name echoes that of his fellow foundling, serial killer Darrell Vernon Boynton of the earlier novel. Brant, a painter turned tattooist, stems from the inspired side of Bogner’s mind, being a combo of the three faces of Eve, Norman Bates, and Paul Gauguin. He certainly thinks himself more visionary than Gauguin, even when tattooing a tiny butterfly over a clitoris (which may be his own). Heavy research gives Bogner a ravishing background in the pedantry of tattooing, especially when the deadliest artist turns to creating the Garden of Eden in Boschian detail on Caroline’s back, a work of art that really ought to be removed and preserved for eternity.

The vulgarity springs from Bogner’s overblown sexual detail wrapped up in implausible dialogue. Some will be put off early on. Others will be in for a surprise that’s stunning enough to justify earlier excess.

Pub Date: July 1, 2001

ISBN: 0-312-86856-1

Page Count: 384

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THREE BAGS FULL

A SHEEP DETECTIVE STORY

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...

Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.

For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.

Pub Date: June 5, 2007

ISBN: 978-0-385-52111-6

Page Count: 368

Publisher: Flying Dolphin/Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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